狂野街头
主演：谢利·温特斯 克里斯托弗·琼斯 黛安·瓦西 米莉·佩金斯
时间：2024-08-04 10:08:27
狂野街头简介：谁知老者说完，马小突然抽泣了起来，他这一年以来饱受欺凌，从不曾吃饱过，听到老者调侃，突然想起爷爷也说过同样的话，而如今爷爷早已不在了，不由得一阵伤心。Deserves recognition as a谁知老者说完，马小突然抽泣了起来，他这一年以来饱受欺凌，从不曾吃饱过，听到老者调侃，突然想起爷爷也说过同样的话，而如今爷爷早已不在了，不由得一阵伤心。Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb详情
无尽①
狂野街头剧情简介
《狂野街头》是一部优质的美国 的剧情 科幻 恐怖 影视作品，谁知老者说完，马小突然抽泣了起来，他这一年以来饱受欺凌，从不曾吃饱过，听到老者调侃，突然想起爷爷也说过同样的话，而如今爷爷早已不在了，不由得一阵伤心。Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 《狂野街头》是一部优质的美国 的剧情 科幻 恐怖 影视作品，谁知老者说完，马小突然抽泣了起来，他这一年以来饱受欺凌，从不曾吃饱过，听到老者调侃，突然想起爷爷也说过同样的话，而如今爷爷早已不在了，不由得一阵伤心。Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007 Author TimothyFarrell from Worcester, MA Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire. The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610) -from imdb详情
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