电影百万英镑
主演：Marshall Thompson Shirley Patterson Kim Spalding
时间：2024-07-07 06:07:13
电影百万英镑简介：Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notaOut of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jer塔罗脸上露出了一个人畜无害的笑容，阿克，你要记住如果你我我在这二动手，对我们双方都没有好处，家族也从此聚会解散，不论是你赢还是我赢，桑德列斯再也不会成为我们两个人的避难所了，如果你想要这样的情况发生，请尽管开枪，李斯看着面无惧色的少年如此镇定自若的表现，心里有点拿不准他的深浅，如果他赢了，会损失将近一半的手下，如果他输了会输掉自己的命，这好像一旦都不划算，终于李斯，阿克退了一步，把枪都收起来，后面那些身穿黑色的亚麻布的护卫统统把枪放了下来，塔罗也悄悄地把自己的手从鲨齿地把手上挪开，点了点头，这才是聪明人的表现，哼，你简直就是太嚣张了，竟然敢直接杀掉护卫队的成员，即使你是家族的首领，这已经构成了不可原谅的罪过，你已经没有资格坐在那个位子上了塔罗笑了，哈哈，哈哈，擦了擦从眼角流出来的眼泪，你是在跟我开玩笑吗，我什么时候杀了护卫队的成员，你是在跟我开玩笑吗，坐在摇椅上，将头向后靠了靠，突然脸上的笑容消失了，而是用一种一异常冰冷的语气说道，史蒂夫，卡尔，罗根，尼尔森，公然违背我的命令，违反了我制定的规则，挑战了家族首领的尊严，有罪，理当处死，没有将他们凌迟已经算是便宜他们了，你，李斯指着塔罗说话都开始有些断断续续，竟然说不出话来，呵呵，这就是我的规则，我的话即是法律，即是规则，违反法律和规则的人统统只有一个结果死，塔罗微笑着着说完死这个字后李斯骤然感觉这个半大的少年浑身散发出一股子无比暴戾的杀气，就在塔罗说出死这个字的时候，李斯阿克，感觉自己的手里抢不受控制的的抖动了一下，仿佛是脱离手掌，不过李斯，阿克用自己宽大的手掌，略微一按，步枪，便不再动弹，其实每个人手里的枪和弩箭都有种要脱离手掌的感觉，甚至有几个人的枪和弩箭直接掉地上李斯惊讶的看着这个半大的少年，这个家伙的异能力什么时候变强了，他早就知道塔罗是拥有以能力的异能者，否则他也不可能被这个半大的小子给压制这么久，但是没有珍贵的药剂和生物宝石异能者很难提高提自己的能力，初期的异能者很容易就被普通人杀死，但塔罗的背后可是有着哪一位的存在，怎么可能与普通弄的异能者相比较。! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.详情
无尽①
电影百万英镑剧情简介
《电影百万英镑》是一部优质的美国 的科幻 恐怖 影视作品，Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certai《电影百万英镑》是一部优质的美国 的科幻 恐怖 影视作品，Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance. The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity). Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH). As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jer塔罗脸上露出了一个人畜无害的笑容，阿克，你要记住如果你我我在这二动手，对我们双方都没有好处，家族也从此聚会解散，不论是你赢还是我赢，桑德列斯再也不会成为我们两个人的避难所了，如果你想要这样的情况发生，请尽管开枪，李斯看着面无惧色的少年如此镇定自若的表现，心里有点拿不准他的深浅，如果他赢了，会损失将近一半的手下，如果他输了会输掉自己的命，这好像一旦都不划算，终于李斯，阿克退了一步，把枪都收起来，后面那些身穿黑色的亚麻布的护卫统统把枪放了下来，塔罗也悄悄地把自己的手从鲨齿地把手上挪开，点了点头，这才是聪明人的表现，哼，你简直就是太嚣张了，竟然敢直接杀掉护卫队的成员，即使你是家族的首领，这已经构成了不可原谅的罪过，你已经没有资格坐在那个位子上了塔罗笑了，哈哈，哈哈，擦了擦从眼角流出来的眼泪，你是在跟我开玩笑吗，我什么时候杀了护卫队的成员，你是在跟我开玩笑吗，坐在摇椅上，将头向后靠了靠，突然脸上的笑容消失了，而是用一种一异常冰冷的语气说道，史蒂夫，卡尔，罗根，尼尔森，公然违背我的命令，违反了我制定的规则，挑战了家族首领的尊严，有罪，理当处死，没有将他们凌迟已经算是便宜他们了，你，李斯指着塔罗说话都开始有些断断续续，竟然说不出话来，呵呵，这就是我的规则，我的话即是法律，即是规则，违反法律和规则的人统统只有一个结果死，塔罗微笑着着说完死这个字后李斯骤然感觉这个半大的少年浑身散发出一股子无比暴戾的杀气，就在塔罗说出死这个字的时候，李斯阿克，感觉自己的手里抢不受控制的的抖动了一下，仿佛是脱离手掌，不过李斯，阿克用自己宽大的手掌，略微一按，步枪，便不再动弹，其实每个人手里的枪和弩箭都有种要脱离手掌的感觉，甚至有几个人的枪和弩箭直接掉地上李斯惊讶的看着这个半大的少年，这个家伙的异能力什么时候变强了，他早就知道塔罗是拥有以能力的异能者，否则他也不可能被这个半大的小子给压制这么久，但是没有珍贵的药剂和生物宝石异能者很难提高提自己的能力，初期的异能者很容易就被普通人杀死，但塔罗的背后可是有着哪一位的存在，怎么可能与普通弄的异能者相比较。! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does. The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome. For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him. The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!) Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying. This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from. As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.详情
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